This 2022-2023 season will be a year-long celebration of Forty Years of Phoenix Chamber Choir. Phoenix is honoured and humbled to recognize four consecutive decades of creating music together for our community. When we consider the transitions and decisions that an organization of our size, stature, and mandate must weather in order to experience the success we have for as long as we have, we are especially grateful. We know that is in large part due to you all: our devoted and loyal audience.  This season will be a celebration of all of us: founders, choristers, directors past and present, composers and listeners alike. 

Phoenix invites you to join us this 2022-2023 season as we journey together through the past and find ourselves looking toward the future:

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Phoenix Chamber Choir wants to use our platform to make a difference and stand with those whose voices who have yet to be heard. Written in 3 languages, the text of “Nou La” was a collaborative effort between Sydney Guillaume, Fredericka Petit-Homme and Lloyd Reshard Jr.. After many meaningful conversations, the heart of the text was realized. Lloyd expressed his sentiments, stating: “The English portion of ‘Nou La’ stems from the social, cultural, racial and political unrest that has been stirred during the global Covid-19 pandemic. It was important for me to capture the questioning, the frustration, and the desire welling inside myself and others who feel marginalized.”
Our hope is that “Nou La” compels the listener to confront and wrestle with their own political, cultural, historical, and social stances, particularly when we do not agree or understand one another. We also hope that this work encourages listeners to passionately confront inhumanity as they cultivate empathy and compassion, inspiring the listener to examine their own relationship and actions towards marginalized communities.
“Nou La”, by Sydney Guillaume, was premiered on May 7, 2022 at Phoenix Chamber Choir’s Evolve concert featuring soloist Frédéricka Petit-Homme.

Phoenix Chamber Choir 2022/2023 Student Choral Composition Competition

Rules and Regulations


Founded in 1983, Phoenix Chamber Choir is entering its 40th season as one of Canada’s finest vocal ensembles, renowned for diverse and eclectic programming from the Renaissance to the contemporary, commissions from Canadian and international composers, and North American premieres of significant new works.

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Are you an educator looking for an engaging, relevant way to introduce your students to the magic of classical choral music?

We at Phoenix Chamber Choir have curated a unique experience exclusively for students, based on our 2021-2022 season, Emerge. This hour-long condensed concert encounter is designed to be shared in  class and educates your students about choral music and modern composers and is offered in both French and English.

In this program students will hear:

  • Multiple choral works sung by Phoenix Chamber Choir, an advanced, auditioned choir that has been singing in Vancouver, BC for nearly 40 years.
  • 3 world premieres, all composed by individuals under the age of 40: Timothy Cunningham, Katerina Gimon, & Sydney Guillaume.
  • Behind-the-scenes introductions to said composers and the Phoenix singers


What fellow teachers are saying:

“Leonardo Dreams of his Flying Machine is the coolest piece. Students will find this relatable as they may know a bit about Leonardo da Vinci the inventor – but they have probably never heard something like this.  Body percussion is a big part of the show – teens love that energy!  Mixed in with all this are beautiful pieces that evoke a strong emotional response.  Hearing new works by emerging composers like Timothy Cunningham, Katerina Gimon, and Sydney Guillaume shows students that it is possible to compose music that a choir can bring to life, even at such a young age.”

– Danielle Hamilton, South Delta Secondary School, Delta, BC

“My students are excited to hear this concert because they are also performing Marie-Claire Saindon’s Turlutte acadienne montréalaise, so they are excited to hear an adult choir doing the same music. They were also intrigued hearing the wide range of music from a single composer since they are also singing another work by Eric Whitacre for their concert.”

– Cara Lau, John Knox Christian School, Burnaby, BC

The production and distribution of this video is made possible through the generous support of GROSSMAN & STANLEY Business Lawyers.

Are you an educator who would like access to this free program to share with your class and students? To register, please sign up here. You will be added to Phoenix’s general mailing list and educational offerings mailing list, and receive the link to this online program in mid May, 2022.

Thank you to our Sponsor



Auditions for our 2022-2023 Season

Auditions for most voice parts are now closed, however we are still accepting auditions for Tenor 1 and Bass 2.

Auditions will remain open for these voice parts until the positions are filled, or until the start of our season. Please read below on how to prepare and submit your audition video.

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Frédéricka Petit-Homme joins Phoenix Chamber Choir as the soprano soloist in the world premiere of Nou La. Haitian-Canadian Petit-Homme was a part of this project from its start in 2020. Nou La’s composer Sydney Guillaume, Phoenix artist director Dr. Nicholle Andrews and Frédéricka Petit-Homme met in 2020 over video conference to have an honest conversation about marginalized communities and how the Phoenix Chamber Choir could use their platform to make a difference and stand with those whose voices have yet to be heard. They specifically spoke at length about Haiti and Haitian immigrants abroad, and these ideas will be voiced in Guillaume’s work. The text of the piece was written in collaboration by Sydney Guillaume, Frédéricka Petit-Homme, and bass-baritone Lloyd Reshard Jr. Phoenix is thrilled to have Frédéricka with us for the premiere of Nou La on May 7.

Tell us a little bit about yourself; introduce yourself to our audience. 

I’m a lyric artist and love making music in community.

Tell us about your connection to the piece Nou La. How were you selected for this solo and what makes it important to you? 

Nicholle had a big dream, next thing you know I’m on a jet plane.

How have you prepared to sing this solo? 

Feel the rhythm, baby.

Are there things you have learned or noticed as you’ve rehearsed? 

Kinda stressful preparing a Premiere-lol.

What do you hope the audience will experience while listening to the premiere of Nou La? What questions or emotions do you hope it will raise? 

I hope the audience embodies the contagious rhythm, the lilting melody and powerful message of Nou La. I hope the piece bridges the gaps that separate communities.

A fun question that we ask everyone: what are you listening to right now? 

A whole lot of music! lol Any and everything from plainchant to contemporary opera. 80’s pop never disappoints.

Anything else you want to share about yourself, the piece, or the upcoming concert. 

Very excited to be working with Nicholle, Sydney and the Phoenix family. Let’s do this!

Phoenix’s final concert of the season, Evolve, is a celebration of finally experiencing the beautiful and important compositions that have been halted during the past two years. This spring concert also marks the beginning for new talent and unique voices being introduced into the choral community, such as that of Timothy Cunningham. Cunningham is a talented young composer and recent graduate of the University of Redlands, where Phoenix Artistic Director, Dr. Nicolle Andrews, is the Director of Choral Studies. Having won the Choral Composition Competition during undergrad in 2019, Cunningham was initially commissioned for Phoenix’s 2020-2021 season to share his piece entitled To Tsampasin. Inspired by medieval chants and Pontic folk songs, Cunningham’s piece meditates on the theme of survival using striking harmonies and rich melodies that invoke a sense of urgency and awe. We share this interview with you to welcome this upcoming composer, and to encourage you to join us in hearing Timothy Cunningham’s piece at our final concert of the 2021-2022 season.

Tell us a little bit about yourself; introduce yourself to our audience.
I’m a recent graduate of the University of Redlands, where I studied Music Composition and Mathematics. During my undergraduate studies, I had many wonderful opportunities to have my works performed both virtually and in-person. My favorite aspect of studying music has been all the exciting collaborations I have been fortunate to have been a part of. Working with other composers, directors, and performers has been deeply fulfilling and inspires me to continue to pursue a career in music.

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Katerina Gimon

Phoenix’s Season of Premieres is an introduction to new compositions and unheard voices, as well as a true investment in emerging composers, such as Katerina Gimon. With her dynamic, eclectic, and poignant compositions, Gimon has become a distinctive rising composer, improviser, and vocalist in contemporary Canadian composition and beyond. Originally commissioned for Phoenix’s 2020 -2021 season, we are so excited to finally premiere Gimon’s piece entitled “Through the Storm”.  A composition originally focused on environmental distress now brilliantly yields a poignant message of hope in our current moment, after having weathered the past two years. We share this interview with you to introduce Gimon as a vital addition to the final concert of Phoenix’s 2021-2022 season: Evolve, in hopes that you might join us in witnessing her magic. 

Now that it’s been two years since you thought Through the Storm would premiere, what have you learned about music composing and/or performing that you didn’t know in February 2020?

I learned that in a world of change we all need art now more than ever! Although it’s been a tough two years, it has been remarkable to see how the musical community has come together even more because of it, which is similar to the inspiration behind Through the Storm. (Even though it was written in late 2019, before the COVID-19 pandemic).

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Phoenix’s last concert of this “season of premieres” will be a moment of closure and remembrance, to finally showcase three beautiful works originally commissioned by Phoenix in 2020. One of these pieces is Hatian-American composer Sydney Guillaume’s piece entitled “Nou La,  which encapsulates the loss and unrest of the past two years, capitalizing on the cultural, racial, and social injustices felt worldwide. Guillaume’s piece is a defiant message of resilience,  lifting up silenced voices to remind the world of “Nou La” which translates to “We are Here”. This interview with Sydney Guillaume adds so much richness and meaning to an already significant piece. Please join us for this powerful premiere at our Spring concert: Evolve, happening in person in Vancouver on May 7 or virtually May 14-21. 


Tell us a little bit about yourself; introduce yourself to our audience

Sydney Guillaume: I’m originally from Haiti and moved to the United States with my family when I was young. I started music lessons (piano) in Haiti and continued in Miami. After writing my first choral piece when I was in college, I realized that I could use this platform to showcase a more positive image of Haiti and elevate the Haitian Creole language.

(View Sydney’s full bio here)

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Singers are busy preparing for our final concert of the season, Evolve, taking place on Saturday, May 7, 2022 at 3 PM at Pacific Spirit United Church. Evolve will take listeners on a journey through history. Three world premieres (yes, three!) by composers Sydney Guillaume, Katerina Gimon, and Timothy Cunningham have all been long-awaited and we are elated to finally have an opportunity to perform them live. The repertoire will demonstrate the role and importance of music throughout history and how composers have paved the way to challenge the performers, the listener, and society at large. This concert is bound to be one for the Phoenix ages and displays so much of our growth and goals as we close the curtain on our fourth decade of singing together. We hope that you’ll join us whether in-person in Vancouver on May 7 or virtually beginning May 14. 

For tickets, visit our concert page.